Host Noah Nelson shares a little bit of the regional news, and then big parts of the plan for 2016 for No Pro--including the revised fate of No Proscenium SF!
PUBLICATION NOTE: Both the podcast AND the LA newsletter are taking a break next week. We'll be back in FORCE before Christmas.
The creators of LA's living, experiential literary journal Enter>text, Henry Hoke and Marco DiDomenico, join host Noah Nelson to talk about bringing some immersive spice to the world of literary readings.
Enter>text is a fascinating beast, that proves that you can approach the open frame of immersive work from just about any angle in order to create compelling experiences.
All this, plus some big--albeit tentative--housekeeping news.
Noah travels to the offices of the Think Well Group--experience designers extraordinaire--to talk about the shared worlds of immersive theatre and theme park design with a group of people who are passionate about both.
Vice President of Creative Development Dave Cobb (@DaveCobb) is joined by members of the creative brain trust--Kate McConnell (@AntiKate), Jeremy Thompson (@jkthompson72), and Dana Shaw (@thefakedana)--for a family style discussion that is probably way chiller than what happens at your Thanksgiving table. So come sit with us at the cool kid's table!
Also: Noah waxes POETIC about The Industry's HOPSCOTCH, which Jeremy was kind enough to drag him to when all hope looked to be lost.
More Twitter handles than you can handle:
All of which are there for a reason--just listen to the show already!
Zay pops in from NYC to interview director Erin Mee (Versailles 2015, Ferry Play) about her immersive work and transforming public spaces into performance venues through unconventional means.
Four core members of Los Angeles' The Speakeasy Society--Genevieve Gearheart, Julianne Just, Matthew Bamberg-Johnson and Chris Porter--join host Noah Nelson to talk about their recent seasonal special show 'The Hollow.'
Staged at Golden Road Brewery's own Speakeasy--Chloe's--'The Hollow' is an exploration of the work of Washington Irving centered on his classic 'The Legend of Sleepy Hollow' that mixes storytelling, dance, and immersive performance within the frame of dinner theatre.
We go deep this episode into how the show came together on a tight timeline.
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Speakeasy Society Twitter: @TheSpeakeasySoc
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Miranda Wright, founder of Los Angeles Performance Practice and the Live Arts Exchange Festival in LA comes by No Pro HQ to talk with Noah about contemporary performance, producing, and the ways in which the relationship between performers and audience members are changing.
Wright--whose credits include not only LAX but The Day Shall Declare It and multiple shows at REDCAT--and her producing partner at LAPP have started a FREE ADVICE series at the Ace Hotel in Downtown Los Angeles for artists who are looking to produce work.
Get ready for a big episode as we sit down to talk about the crown jewels of Spooky Season--Haunts--with filmmaker Jon Schnitzer. His new documentary 'Haunters' is headed towards a release next year and has begun offering behind the scenes looks at the work ahead of release.
Also joining us on the podcast is host Noah Nelson's housemate, writer Priscilla Spencer, who shares with Noah and Jon her harrowing experiences at the infamous BLACKOUT.
This is a super fun conversation, and it's the perfect way to spend the time between Halloween parties! Just, you know, know that there's some cursing so: NSFW.
Check out the film at www.HauntersTheMovie.com where you can get early access as part of a late stage crowdfunding effort.
Our man in New York, Zay Amsbury, sits down with Andrew Hoepfner--creator of Houseworld--to talk about the surrealist immersive show.
Meanwhile, in LA, Noah has the news and something like a short rant about ethical behavior regarding ticket sales. Because, you know, he gets cranky sometimes.
All this plus the usual nonsense.
No Pro travels this week to La Jolla and the bi-annual Without Walls (WoW) Festival of immersive and site-specific performance. There we talk with Christopher Ashley, Artistic Director of both the Festival and the La Jolla Playhouse.
This is a can't-miss episode for the theatre makers in the audience.
All that plus the usual news and notes from Noah.
Host Noah Nelson sits down with Matt Soson, founder of Crooked Grin (formerly A Working Theatre, a Sliver Lining) a production company working in both immersive theatre and virtual reality for a nice, ambling chat complete with cat visitations.
Hey: you don't win Best of LA Awards without a few cat visitations.
All that plus some news and notes!
This one contains swears.
Zay Amsbury, our man in New Amsterdam--that's New York City, if you're not into Dutch Colonial American History--come through with a short and sweet one with BBQ Films' Gabriel Rhoads. These purveyors of immersive cinema are gearing up for the BLADE RAVE--an immersive showing of BLADE complete with a recreation of the iconic, bloody vampire rave. That will be going down on October 9th as part of New York's Super Week, presented by New York Comic Con.
Find out more at bbqfilms.com
Find more on Twitter: @bbqfilms, @zayamsbury, @noproscenium
Next week: a brief hiatus.
What happens when you make a call for comments for an Open Forum about failure?
You get a very meta-episode where no one calls in.
So instead: some news and notes from our host Noah Nelson.
Heidi Duckler, the founder of LA’s site-specific dance company Heidi Duckler Dance Theatre, joins host Noah Nelson to talk about her company’s 30th anniversary season including the upcoming Sophie & Charlie: a dance telenovela that runs for four weeks and culminates with a gala event.
All that plus the usual news and notes.
NEXT WEEK: Our second Open Forum episode. Listen for details, and send your voice memos to firstname.lastname@example.org.
Sam Roberts--the festival director of Indiecade, the independent festival of games-- knows a thing or two about theatre. He’s been directing and designing it for two decades now. Sam sits down with host Noah Nelson to talk about how game design can—and already does—influence immersive theatre in this thoughtful, philosophical chat.
Honestly, we could have gone on for hours.
Program note: the first half of the interview had a technical glitch with the mic (short answer: I made a rookie mistake) but the second half is spot on. (And now I know which button I’m looking for!)
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So, time to come clean: last week's episode was "in character." A kind of epilogue to the fantastic Hamlet-Mobile produced at this year's Hollywood Fringe Festival.
This episode is a real--no really--interview with the cast and actual creators of Hamlet-Mobile. Producer Monica Miklas and writer-director Lauren Ludwig join the actors-- Heather Ann Gottlieb, Lizzie Prestel, Hunter Seagroves, JB Waterman--and host Noah Nelson to talk about the actual creation of Hamlet-Mobile.
We assure you, these are real people.
Okay, one of them might be a raccoon in a human suit.
All that plus a boatload of news. Seriously. Like, too much news.
Long time listeners of the podcast--we've only been around for four months, so not that long--know that there is a special place in our hearts for Hamlet-Mobile, the immersive theatrical installation from this year's Hollywood Fringe Festival that took place in a van.
In this very special episode of No Proscenium host Noah Nelson talks with the members of The Moving Shadow-- Lizzie, Heather Ann, James, and Hunter--the troupe of actors who fulfilled the last wishes of theatrical genius Marlon Pine in order to bring the microtheatre masterwork that was... is Hamlet-Mobile into our lives.
We apologize in advance for any distress the explicit language in this episode may cause.
Listener discretion advised.
You know what, this is your show, and for all the talk we talk about "audience agency" it is about time that we went ahead and opened up the "phone lines." This is our first, and hopefully not our last, Open Forum episode featuring reviews and comments from the community.
We'll be doing another one of these next month, so find out where the Voice Memo app is on your phone or fire up GarageBand and shoot us a memo at email@example.com.
This minisode--recorded in a car and at the Oculus Story Studio's press event for Henry--features some clips from Oculus' Edward Saatchi, producer of the Story Studio, on how his team views their exploration of immersive entertainment. (Oculus, for those who don't keep up with tech stuff, is the company that makes virtual reality headsets and has captured the imagination of the tech world.)
Next Week: our first Open Forum send in your reviews/questions/comments to firstname.lastname@example.org.
Hey gang, just a few quick notes this week before we head up to the SF Bay Area.
The heads of No Pro East and West meet up to talk about the ellusive "I" word, what keeps them passionate about this whole "open frame theatre movement" and just what the hell goes on in their heads when they are putting together the newsletter.
If you're a producer looking to know what it takes to make the cut: this one is for you. If you're an enthusiast looking to understand some of the intriciies and mysteries of the scene, yeah, we do some of that too.
This one was incredibly fun to make.
Content Advisory: Noah curses just like he does in real life.
Find us on Twitter: @noproscenium, @zayamsbury, @noahjnelson
Help make the podcast even better (becasue it's getting more expensive to produce!)
Juliet Bennett Rylah (LAist) and Abel Horwitz (Urban Death at Zombie Joe's Underground Theater) join host Noah Nelson to talk about Escape Rooms and Haunts in the LA area and what makes a good interactive show.
Get ready to dig in. Host Noah Nelson gets into the nuts and bolts of the creative process that drove writer Annie Lesser's Getting To Know You, one of the sleeper surprises at the 2015 Hollywood Fringe Festival.
All that plus a quick update on the world of immersives this week.
Brent Bushnell co-founder and CEO of Two Bit Circus--a motely crew of Entertainment Engineers--joins host Noah Nelson. Bushnell isn't just involved with immersive entertainment professionally, he's also the LA area's number one fan of the work. Listen is as he and Noah dig deep into what's exciting in the world of immersibve and interactive experiences today.
Plus the usual news, and more.
Two Bit Circus (@twobitcircus)
No Proscenium (@noproscenium)
A quick episode this week (with a little set-up) as Lauren Ludwig and Monica Miklas, producers of Hamlet-Mobile at the 2015 Hollywood Fringe Festival join host Noah Nelson to talk about their interactive, immersive, and mobile show. It's like a food truck... for Hamlet.
All this plus the usual updates from the immersive world.
Follow Hamlet-Mobile on Twitter (@hamletmobile). Catch up with No Proscenium on Twitter (@noproscenium) and send us tips/announcements via email: email@example.com.
Director Mikhael Tara Garver has been doing immersive and interactive theatre work for over a decade and a half now. She coined the term "Open Frame" to talk about the continuum of work that she's developed, and that tends to fall under "immersive" in it's squishy, catch-all usage.
No Proscenium New York's Zay Amsbury talks with Garver in Brooklyn about Open Frame as a concept and about Garver's latest directorial effort, Dean Poynor's Together We Are Making A Poem In Honor Of Life. (The play is reccomended for audiences over the age of 16.)
On Twitter: follow @ZayAmsbury, @MTGarver, @honoroflifeplay, @NoProscenium